Grenada achieved its independence from the United Kingdom in 1974--prior to that it was passed from the French (who arrived around 1650) to the English in 1763. During the period the French held Grenada, the last of the indigenous Caribs died at Sauteurs--they jumped from the high cliffs, rather than become subject to the French, and the town is named to acknowledge this: Sauteurs is the French word for "jumpers". Most of the current population of Grenada is made up of descendants of the slave population, as well as a minority population of East Indians, descendants of indentured servants brought to Grenada in the nineteenth century. There is also a small number of English ancestry.
Since gaining independence, Grenada has experienced turmoil in the form of civil conflict - in 1976, after the first Prime Minister Eric Gairy's, party won elections in, the opposition rejected the result. This led to the People's Revolutionary Army forming a military government for a time. Six days after Maurice Bishop, a leader of this movement, was executed, the US invaded. Following on from this, the pre-revolutionary constitution was brought back in.
As an Australian, I feel like I don't know much about Caribbean nations - we tend to hear about "our own backyard" more. I'm pleased that already this project is giving me an insight into processes of nation formation and the struggles that can involve - this is becoming a strong interest in my own research right now.
I've chosen a poem by the poet Audre Lorde, because again I've had trouble finding a work by a poet resident in Grenada that I feel fits this project. Lorde was born in the US, but both her parents are from Grenada, and this poem is about that nation.
Inheritance—His
I.
My face resembles your face
less and less each day. When I was young
no one mistook whose child I was.
Features build coloring
alone among my creamy fine-boned sisters
marked me Byron's daughter.
No sun set when you died, but a door
opened onto my mother. After you left
she grieved her crumpled world aloft
an iron fist sweated with business symbols
a printed blotter dwell in the house of Lord's
your hollow voice changing down a hospital corridor
yea, though I walk through the valley
of the shadow of death
I will fear no evil.
II.
I rummage through the deaths you lived
swaying on a bridge of question.
At seven in Barbados
dropped into your unknown father's life
your courage vault from his tailor's table
back to the sea.
Did the Grenada treeferns sing
your 15th summer as you jumped ship
to seek your mother
finding her too late
surrounded with new sons?
Who did you bury to become the enforcer of the law
the handsome legend
before whose raised arm even trees wept
a man of deep and wordless passion
who wanted sons and got five girls?
You left the first two scratching in a treefern's shade
the youngest is a renegade poet
searching for your answer in my blood.
My mother's Grenville tales
spin through early summer evenings.
But you refused to speak of home
of stepping proud Black and penniless
into this land where only white men
ruled by money. How you labored
in the docks of the Hotel Astor
your bright wife a chambermaid upstairs
welded love and survival to ambition
as the land of promise withered
crashed the hotel closed
and you peddle dawn-bought apples
from a push-cart on Broadway.
Does an image of return
wealthy and triumphant
warm your chilblained fingers
as you count coins in the Manhattan snow
or is it only Linda
who dreams of home?
When my mother's first-born cries for milk
in the brutal city winter
do the faces of your other daughters dim
like the image of the treeferned yard
where a dark girl first cooked for you
and her ash heap still smells of curry?
III.
Did the secret of my sisters steal your tongue
like I stole money from your midnight pockets
stubborn and quaking
as you threaten to shoot me if I am the one?
The naked lightbulbs in our kitchen ceiling
glint off your service revolver
as you load whispering.
Did two little dark girls in Grenada
dart like flying fish
between your averted eyes
and my pajamaless body
our last adolescent summer?
Eavesdropped orations
to your shaving mirror
our most intense conversations
were you practicing how to tell me
of my twin sisters abandoned
as you had been abandoned
by another Black woman seeking
her fortune Grenada Barbados
Panama Grenada.
New York City.
IV.
You bought old books at auctions
for my unlanguaged world
gave me your idols Marcus Garvey Citizen Kane
and morsels from your dinner plate
when I was seven.
I owe you my Dahomeyan jaw
the free high school for gifted girls
no one else thought I should attend
and the darkness that we share.
Our deepest bonds remain
the mirror and the gun.
V.
An elderly Black judge
known for his way with women
visits this island where I live
shakes my hand, smiling.
"I knew your father," he says
"quite a man!" Smiles again.
I flinch at his raised eyebrow.
A long-gone woman's voice
lashes out at me in parting
"You will never be satisfied
until you have the whole world
in your bed!"
Now I am older than you were when you died
overwork and silence exploding your brain.
You are gradually receding from my face.
Who were you outside the 23rd Psalm?
Knowing so little
how did I become so much
like you?
Your hunger for rectitude
blossoms into rage
the hot tears of mourning
never shed for you before
your twisted measurements
the agony of denial
the power of unshared secrets.
Audre Lord
Thursday, February 7, 2008
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